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Suffolks Tears · Samuel Fairclough Jr

Suffolks Tears, Part 15

Obſequies to the Memory of Sir Nath. Barnardiſton, Kt.

GIve leave (my Friends) unto this ſable Herſe,

To offer up a Tributary Verſe:

Even ſuch, as love and ſorrow ſhall ſuggeſt:

Sorrow ne'er made good Poet, Love the beſt.

O! how much rather, if th'all ordering hand

Of Providence Divine (which none withſtand)

Had ſo diſpos'd, I would have brought this day

My ſalutary vows; but now the way

To joy's ſhut up: The ſcene which whylome we

Thought Comick, now ends in a Tragedy.

Where were yee Galen and Hippocrates?

Thou Paracelſus, who didſt vainly pleaſe

Thy ſelf, to boaſt with thine Elixar's art

To make a man immortal? could'ſt that part

Have acted here, or ſome years luſters more,

Have added to his lives leaſe? on this ſcore,

Like loyal Romans for Auguſtus, we

A during ſtatue to thy memory

Would have erected; grav'd thy name in Braſs,

Laſting to ages glory: But (alas!)

Nor Themiſon, nor Aeſculapius,

Machaon thou, nor Podalirius,

'Mongſt the Galenick Nation, though you be

Cheif Doctors, conld you bring a remedy

To ſuperſede this fate: That hand that gave

This wound (Achilles like) could onelyonly ſave:

Then which no other weapon-ſalve, I know,

Nor univerſal medicine here below.

He's therefore gone, and we alive to ſee,

The Monument of our mortality,

His ſacred reliques; and remember what

He was in's life, and ſtudy to be that.

But is there any that will undertake,

To write his copy; I fear his hand will ſhake,

Or's Penſil's dull, or ſome fault in his eyes,

That he'l indent deform'd obliquities.

Yet his clear eye, and ſteady hand ne'er drew,

But ſtrait lines from the center, for he knew

And learn'd from ſuch a maſter, who alone

Could guide the hand and hearts poſition.

And ſo he guided was, that few are ſeen

On this worlds Theater, or er'ſt have been

Equal proficients with him in this art,

This heavenly art of living well; which part

He much adorn'd, and 'twas his greateſt grace,

And worth's embelliſhment in ſuch a place,

As God had ſet him, to be good as great;

Goodneſs and greatneſs, both well here did meet

In him. How ſoon began! for in his prime

He choſe (not like luxurious youth) his time

To ſpend in th'ages wanton revellings;

But ſought that merchandize, which onelyonly brings

That great advantage (after all his care

And travel) now poſſeſs'd, without all fear

Of looſing: he by firm indenture bound

Himſelf to God, not for years; for he found

They might expire, and's Fathers legacy

Was more then this poor worlds annuity.

Therefore in graces tenure, humbly he

Caſt anchor unto all eternity.

And now his torn, and weather-beaten bark

With the worlds ſtorms and tempeſts, like the ark

Puts int' a quiet harbor, even as that

Reſted upon the Mountain Ararat.

He left this world i'th' ſtorm by Land and Sea,

Yet he a calm and ſweet tranquillity

Found in himſelf; as one that ſwom to Land,

Having ſcap'd ſhipwrack, doth i'th' Harbor ſtand

Safe and ſecure; yet viewing with ſad eyes

The Monuments of Neptunes cruelties:

Or he whoſe ſhip from ſome far Countrey bound,

Laden with Gold and Spice, at length hath found

The wiſhed Port, prayes that his Friends may ſee,

The like returns advantage; ſo did he,

Having receiv'd his lading home ſecure,

Prayes God, the States and Churches to enſure.

But whil'ſt we minde his gain, we value not

Our loſs, nor can: The Saints indeed have got

One that will bear a part with them, whil'ſt we

Are left to ſing a doleful Elegie.

To mourn, becomes us well; here needs no art

To paint a tear, that comes not from the heart:

Or that we hire ſome ancient praefica'es

To howl their well-diſſembled nania's.

For ſuch ſad Sables (Sorrows Livery)

Well may they hold a ſemblance to the eye,

Of ſome thing which we ſee; but for the reſt

Behinde the Curtain, Cannot be expreſt.

So did that Artiſt when he came to draw

The Parents grief, for Iphigenia,

Caſt o'er a veil, (the reſt within made good

By an Apoſiopeſis underſtood)

Then draw the Curtain here (my Muſe) and tell,

The World thou can'ſt with no lines parallel,

Their grief, whoſe honor 'twas once to have had,

A Wife, or childes relation here: So ſad

Appears the Scene, There's none that bears apart

A mourning robe, without a mourning heart.

Yet once again (thou Cypreſs tree)

Let me now pluck a branch from thee;

Bitter conſtraint, and ſaddeſt wo,

(Alas) compels me ſo to do.

Thou wont'ſt not to receive a call

To every vulgar funeral.

We'll therefore not impropriate

Thy cuſtom, ſince 'tis our ſad fate

To looſe a Heroe of that worth,

As nature rarely bringeth forth.

Mourn then, for on this woful Beer

Lies one, that hath not left his Peer.

For whom the Heavens (as if too long,

They had expected him among

His Fellow Saints) at laſt have ſent

Now to compleat their Parl'ament.

Saxa ruunt Mauſoli inviſa, ruunt que Coloſsi

Mole ſua; & ſi quae porrò Monumenta vetuſtas

Condidit, illa abolevit edax; vel quicquid Apelles

Pinxerit, ant ſi quid Lyſippus duxerit olim,

Apparent nuſquàm (ne ſubſiſtente ruinâ.)

At meliora tibi pietas Monumenta locavit,

Quippe fides tua clara (aevo rariſsima noſtro)

Te petrae inſeruit. Titulo te poſſe carere

Ergone Marmoreo? licet aut componere parvis

Maxima? Nam que Choro coeleſti aſcriptus iniquum

Ut remeare velis diviſis mente Britannis.

Qui tamen, (et ſi nos tot blandimenta nepotes

Chara reliquiſti) ſuperes ubi nulla cupido

Invadet redeundi, non ſi populuſve ſenatus

Antiquum ad meritum que locum revocare poteſſet.

Conſociare tuis, te ſuaviloquentior uſquàm

Nec fuerat dum tu fueras, nec amantior ullus

Qui potuit. Quoties dextram (Venerande) benignam

Tu mihi, quàm gratos amplexus ſaepe dediſti,

Nulli ementitos? verus monitor que fidelis

Idque frequens mihi; cultor eras quia tu neque parens

Numinis atque alios mecum ſuadere ſolebas.

Oh quoties & quae nobis memoranda locutus

Digna velut clavo maneant infixa trabali?

Nam neque tu quenquam vano ſermone morari,

Pejorem ſolitus coram aut demittere triſtem.

Quos vultus, quales vidi candore micantes!

Atque oculos? mihi quos ſpectare (heu non licet ultra.)

At nunquam? Oh nunquam noſtras reſonabit ad aures

Vox antiqua ſonos modulans mihi quàm bene notos:

Nam mihi nunc ſuperas heu diſſociabilis; oras

Lenta nimis vela impellent ſuspiria noſtra

Haſce iterum infidas, ut fruſtrà referre conemur.

Aſt ego quando quidem nobis te fata tulerunt,

O quàm te memorem, & memorans ſuspiria …undam,

Dum maeſtus reddam ſolennia vota Sepulchro.

Joh. Clopton. Gent▪